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Sabbath plays a kids school dance
a story told to Joe
Siegler by Phil Oswald
I got an email back
in April from Phil Oswald telling me he had a rather unique story to tell about
Black Sabbath in the early days. I asked him to tell me what the story
was, so here is his reply below.
Dear Joe,
Hi, thanks for the reply - as you can see, I'm not that prompt at answering
emails myself. OK, here's the story -
This happened back in 69 - 70 and although it was a long time ago, I'll make
this as accurate as I can. In those days I lived in Carlisle in the north of
England and as teenagers me and my mates used to go to 'dances' with local
bands. The best of them were called Mythology, with Bill Ward, Tony Iommi, Neil
Marshall (bass) and a singer whose name I never found out. We saw them a lot;
they were obviously in a different class to the other local bands, and got even
better when they split and reformed with Ozzy and Geezer. They were now called
Earth and were heavier, but still bluesy - Tony played flute occasionally. As we
got to the end of our schooldays we (me and some buddies) hired Earth for £40 to
play at an bend of term dance in the school hall - it was cool, and we asked
them if they'd do our final year dance, next year. They said yes, but asked for
£70 and we said OK. Off they went. We figured we'd like to have the gig off the
school site, so we booked a dance hall called The Cosmopolitain (the Cosmo) -
it's now a carpet salesroom, I think, and we agreed we'd give any profits to
Oxfam. We printed tickets and started selling them. Meanwhile Earth had gone
back to Birmingham and rumours trickled up that they'd changed their name to
Black Sabbath. We kind of thought, what's that all about? You see, heavy metal
didn't exist then; the big names were Cream and Hendrix, so we didn't know what
was going on. Anyway, we weren't too worried about the gig. The next bit of news
was that they'd got a record deal with Vertigo - we weren't surprised, as we all
thought they'd make it somehow or other - so that was cool. It was getting
closer to the day of the gig, which was March 18th, 1970. The next thing that happened was their first album going into the charts -
wow - everyone was into it and it was great that they'd made it. (There'd been a
single before that, but it was the album that really made any impact ). But, we
were thinking, what about our £70 schoolboy gig - surely a band wouldn't do that
when they were in the charts? We weren't quite sure what to do and (I'm trying
hard to remember details here, the other people involved will have variations) I
guess we went into a state of denial and just let time slip by until the day of
the gig.
That afternoon, we were in the Cosmo chewing our nails. Apparently, the word had
gone round that Sabbath were at the Cosmo, and there were coach parties booked
to bring people in from all round the North. We, at that point, were really
worried that Sabbath wouldn't show, and we'd get our heads kicked in by angry
fans. Oops. Anyway, mid-afternoon a truck pulled into the carpark. It was
Sabbath. We hadn't seen them for a while and they had changed. The hair was
longer, they were wearing black grandad T shirts and the crucifixes and they had
Laney amps (new, at the time), four 4x4 each. Bill had a Slingerland kit. They
set up. Well, that night was amazing. The hall was packed solid and everyone had
a great time. Sabbath were totally heavy (I can't give you a set list, but they
opened with NIB) and the atmosphere was really cool (we were hippies, remember).
It was excellent and& nbsp;it felt a bit like seeing the birth of Heavy Metal.
After the gig, me and my mates were in the changing room, and somebody stuck £70
in Tony's hand. I can't remember who it was, but one of us said to him that it
was really good that they did the gig, even though they could have made far more
money somewhere else, so why did they do a schoolboy dance for £70? His reply
was something like this:
'It's these people who put us where we we are, so we thought we'd honour that
Sabbath got a reputation later on as total wild guys who were into evil stuff. I
can't comment, I've seen loads of concerts since then (last one Astoria reunion
- classic Sabbath, to me), but I haven't got anywhere near to speaking to one of
the band.
All I can tell you is this, for us they acted honorably and decently when they
didn't have to and I have never forgotten that.
Well, Joe, that's the tale of the mighty Black Sabbath doing a schoolkid's dance
for £70 when they were in the top twenty album charts, and I guess it might give
another slant on the band's image. I'd love to know if any of them remember that
night, or if anyone else who was there has any messages to pass on - feel free
to forward emails.
For the record, that was the first time I'd seen Iommi with an SG and Laneys;
before that he used a left-handed Strat with, I think - Marshall amps. He also
used some kind of mysterious treble booster.
Regards,
Phil Oswald.
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