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BLACK SABBATH AT THE
WARFIELD, 8/1/95 The Line Up:
Tony Martin-Lead Vocals,
harmonica
Tony Iommi-All Guitars
Cozy Powell-Drums
Neil Murray-Bass
Geoff Nicholls-Keyboards
It was a hot winter night
and I was extremely excited. This was going to be my 2nd Black Sabbath
concert. The last time I saw them was in 1983 during the Born Again
Tour, featuring Ian Gillian, at the Cow Palace in S.F.,Ca. The Cow
Palace is a big arena. The Warfield is a theatre which is not as big.
The opening bands were a metal-garage sounding band whose name I can't
remember and Motorhead. I was able to get my first cousin, John, to
come with me since I didn't want to go by myself. It was hard to get
anyone to come with me because many fans consider this
"version" to be a "fake Sabbath" or " a Tony
Iommi solo band". As a die-hard Sabbath fan for over 16 years,
who has every Sabbath CD, I was not going to let that stop me! Like
Joe Siegler, I love Black Sabbath no matter who's in the band! My
favorite Sabbath is with Ozzy/Dio, Dio especially. I am also a big
Tony Martin and Cozy Powell fan. I am especially familiar with Cozy
Powell on his work with Ritchie Blackmore's Rainbow. Before I go into
a summary of the concert, I first want to give my grades on the
performance:
The opening bands:
- Garage
Band-Performance and sound F
- Motorhead-Performance
and sound D-
- Black
Sabbath-Performance and sound A
- Stage Set C
The concert started
approximately 8:30 p.m. The weather that night was very hot. The
opening band caught my attention for awhile. The place was not
sold-out. There was approximately 5,000 people and a lot of Motorhead
fans. I couldn't tell who most of the fans were there to see. I was
definitely not there to see Motorhead. Lemmy's voice, to me, sounds
thrashy and un-melodic. There were many Black Sabbath and Motorhead
shirts. The concert ended up being a double headliner with set time
being:
- Garage Band - 45
minutes
- Motorhead - 2 Hours
- Black Sabbath - 1 hour
and a half
The very first band I
call a "Garage Band" because they sounded exactly like one.
That is not meant as a compliment! They sounded more like Motorhead,
thrashy vocals and noisy guitars. I stayed for the first 2 songs but
became bored because every song started to sound the same. The seat me
and my cousin had was upper balcony, right in front of the soundboard.
I had an excellent view of the whole stage and the sound was balanced
and definitely not as distorted as sitting next to the stage.
Motorhead came onto the
stage at 9:05 and the place erupted! Like the previous band, I stayed
for two songs and then left and went to where the concert merchandise
was being sold. Motorhead was "EXTREMELY LOUD." So loud my
ears were ringing! The sound was "EXTREMELY DISTORTED." This
kept me from understanding what the hell was going on in the music. I
ended up buying a FORBIDDEN TOUR '95 shirt which displayed logos from
MOB RULES, DEHUMANIZER, AND FORBIDDEN. On the back of the shirt was a
huge cross that had the classic "BLACK SABBATH" engraved in
a vertical and horizontal fashion. It cost me $20.00 dollars. I was
able to mingle with the people and a lot of Mob Rules shirts were
worn. When I went back in, Motorhead was just finishing. It was a
climatic finish and the best part of their performance with the
drummer, Micky Dee, going crazy on the gong!
Black Sabbath came
onto the stage at approximately 10:30 p.m. Everything started turning
black as the lights went down. Cozy Powell had a white double bass
drum set. When the theatre became pitch-black, a moon appeared at the
upper right hand corner of the stage background. The OMEN THEME was
blaring in the background. Sabbath suddenly opened with the guitar
riff of "Children of the Grave." The stage lights flared
through out the stage, on and off, as Cozy played a thunderous tribal
rhythm along with along with Iommi's opening riff. Tony Martin then
suddenly emerged on the stage and "Children of the Grave"
took off. I noticed many fans left after Motorhead, but I didn't care.
I was having the time of my life! Tony Iommi was wearing a black
tank-top muscle shirt which showed his arms. He was all smiles the
whole night. Tony Martin wore a long black sleeve shirt with black
jeans, a goatee and a beard. He looked like "Shaggy" from
"Scooby Doo " (Ha! Ha!). The song list went as follows:
- Jerry Goldsmith's The
Omen Theme: Intro
- Children of the Grave
- Neon Knights
- Children of the Sea
- War Pigs
- The Wizard (Martin
harmoinca intro and performance)
- Get a Grip
- Sabbath Bloody Sabbath
- Mob Rules
- Heaven & Hell (no
long Iommi solo, more like album version)
- Can't Get Close Enough
- Black Sabbath (with
Iommi "Live Evil" guitar intro)
- Headless Cross
- Iron Man
- Paranoid/Heaven &
Hell ending - encore
Disappointments:
All in all, I thought
every song kicked ass and the singing was surprisingly much better
than "Cross Purposes Live". But the show, in my opinion, was
too short. Being a drummer myself, I was looking forward to hearing a
drum solo by Cozy. There also weren't enough newer songs played,
especially the ones from "FORBIDDEN." At the end of
"Get a Grip" and "Can't Get Close Enough," Tony
Martin would say, "Thanks for listening." I thought that was
very unprofessional, but I could understand why he did it. The people
did not seem to be into the newer Martin Era songs. This sucks for me
because I would have love to see "The Shining" live. During
"Get a Grip", Cozy did a "double bass drum
shuffle" in the middle of the song. Martin repeatedly said,
"Get a Grip, yeah!" and pointed the microphone into the
audience to repeat but no one would. I also noticed Martin was fixated
on the fans nearest to the stage and played too much time and
attention with them. I repeatedly tried to yell and scream to catch
Martin's attention, but he "never" looked at the upper rows.
The crowd was also "Lame." I would try, like Ozzy, to get
the crowd involved by waving my hands toward the crowd behind me. Only
a few banged their heads with me.
Outside of the
"superficial disappointments," the concert kicked ass! I
definitely got my money's worth. The drumming and guitaring was
excellent, singing was surprisingly good. My first cousin even
admitted Martin was much better than he expected. But he is "no
Ozzy or Dio." He also admitted that he had a "good
time." The weakest part of the performance, which I'm sure most
people did not notice, was Neil Murray on the bass. The bass sounded
very thin and weak, especially during "Heaven and Hell" and
"Headless Cross". Since Neil's timing was good on the tunes,
it did not ruin or damage any of the songs. I was extremely impressed
with Cozy Powell. He is actually my favorite Sabbath drummer and would
have loved to see the original Sab, Tony, Geezer, Ozzy with Cozy play
as a group. This was rumored to have actually happened if Ozzy would
have rejoined Sabbath since Bill Ward agreed to only do the
"European Part" of the "Reunion Tour." The drum
sound was "deep" and "punchy." I especially loved
his drumming on "The Wizard" and "Heaven and
Hell." My first cousin was especially impressed with
"Sabbath Bloody Sabbath." After the concert, he though the
lineup played its best on "Sabbath Bloody Sabbath." In other
words, it was his favorite song of the concert.
Here is how I would grade
the performance of each band member:
- Cozy Powell - Drums A+
- Tony Iommi - Guitars
A+
- Tony Martin - Vocals
B+ (Excellent effort but is not the caliber or level of Ozzy or
Dio)
- Neil Murray - Bass C
(Adequate performance, not the caliber or level of Geezer Butler
on the Ozzy/Dio Sabbath songs)
The grade of the concert
averages out to an A-. As a die-hard SAbbath fan, I am looking forward
to going to any new Sabbath concert that comes to town. I greatly
regret not going to the "Seventh Star," "Headless
Cross" and "Cross Purposes" Tour. The "Tyr"
Tour never came to the States. Regardless who's in the band, I love 'em!
If you have questions about this concert or the band, please e-mail me
at noble-1@juno.com.
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